Coaching Absolutes Resources

 Soundtracks, Part IV
(12/7/2020)
 
   

Soundtracks, Part IV


Coaching Absolutes
By Dave Turgeon


A couple of years back, I used to do a segment with staff called “Soundtracks.” Before diving into it I would always talk about what a soundtrack is. Most of us have heard of them and been impacted by them when watching a movie. Some of us (myself included) have been moved to purchase the soundtrack of a movie. Soundtracks, the music of a movie, evoke and stir emotions and amplify a scene in some way. For example, most of us remember the opening scene from “Jaws” where the young woman goes for a swim and some music begins to play that makes us all feel the impending doom to come. And it did. Another example of a soundtrack that brings about some emotions is from the classic movie called “Rocky.” The scene starts with Rocky doing his road work (running) and ends with him running up the stairs to a song called “Gonna Fly Now.” It absolutely is an inspiring scene that was brought to life from that iconic song.

Just as movies have soundtracks, we also have our own personal soundtrack. When someone walks in a room you can usually feel where they are at by their energy, body language and facial expression. Whether we realize this or not, our soundtrack is playing when we enter a room or walk down the street or engage with others. This is about self-awareness and the impact our soundtracks have on players and our personal lives.

Taiwan

I have had the privilege of working a camp in Taiwan every December for the last four years with friend and also the Boston Red Sox Coordinator of Baserunning and Outfield, Darren Fenster. I knew going over there that this would be a challenge, and it is every year, because of the language and culture differences. Darren is the Field Coordinator of this camp and asks me to spearhead the pitching for the four days. I find the camp a great challenge for the reasons I mentioned, but I also played in Taiwan professionally for four years so I always find a way with my limited Mandarin and rely more on my understanding of the culture and default to show and do, rinse, repeat every day. Darren, on the other hand, never played in Taiwan, but has impacted and improved a camp four years in a row because he has mastered what soundtrack the Taiwanese staff and players need and at what volume they need it, and when they need it played. With the use of his soundtrack of energy, care level, and heart, it has been so cool to witness his bringing together a group of 40 players and approximately 25 staff together in a four-day period. The last four years of working in Taiwan with Darren always serve as a reset for me because it forces me to bring back my teaching to where it needs to be in the first place. It is coaching with constraints. Remove the language and we are forced to develop our soundtrack, use few words if any, and create a “show and do” environment which is skill acquisition rich. It makes me understand the question, “Do I want my players to learn words or acquire skills?”

Thunderstruck

My personal Soundtrack has evolved and grown over the years. I am also happy to say my volume controls have improved. It will continue to and it has to. Staying connected with players and seeking more self-awareness is a great way of becoming a master coach. I failed to mention my personal soundtrack when I broke into managing / teaching 20 years ago. It contained one song called “Thunderstruck” by AC-DC and it was played at two volumes which were loud and louder! Needless to say, that does not work in coaching or parenting or any relationship we may have.

As technology and its use evolves in the game, remember first that improving our soundtrack must continue or it will not matter what you know if your delivery system is not current. I have mentioned the firing order of coaching in previous blogs and stand firmly by being an excellent relationship builder as critical to the process. So, keep refining and growing your soundtrack and become a master DJ so that anything you know that can help a player will be relevant. Best of luck to you all in your coaching endeavors!


Turgeon is the Coordinator of Instruction for the Pittsburgh Pirates. Turgeon played in the New York Yankees farm system from 1987-1990 under Stump Merrill and Buck Showalter after being drafted out of Davidson College. Before playing for the Baltimore Orioles’ AAA affiliate in 1998 he spent eight years playing abroad. From 2000-2001 Turgeon began coaching in the Cleveland Indians organization before entering the college ranks where he coached with Boston College, the University of Connecticut, Duke University and Virginia Tech. Turgeon was also the Bench Coach for the 2019 USA Baseball Collegiate National Team. 


 Soundtracks, Part III
(9/16/2020)
 
   

Soundtracks, Part III


Coaching Absolutes
By Dave Turgeon


A couple of years back, I used to do a segment with staff called “Soundtracks.” Before diving into it I would always talk about what a soundtrack is. Most of us have heard of them and been impacted by them when watching a movie. Some of us (myself included) have been moved to purchase the soundtrack of a movie. Soundtracks, the music of a movie, evoke and stir emotions and amplify a scene in some way. For example, most of us remember the opening scene from “Jaws” where the young woman goes for a swim and some music begins to play that makes us all feel the impending doom to come. And it did. Another example of a soundtrack that brings about some emotions is from the classic movie called “Rocky.” The scene starts with Rocky doing his road work (running) and ends with him running up the stairs to a song called “Gonna Fly Now.” It absolutely is an inspiring scene that was brought to life from that iconic song.

Just as movies have soundtracks, we also have our own personal soundtrack. When someone walks in a room you can usually feel where they are at by their energy, body language and facial expression. Whether we realize this or not, our soundtrack is playing when we enter a room or walk down the street or engage with others. This is about self-awareness and the impact our soundtracks have on players and our personal lives.

The Dominican Experience

The first time I went to the Dominican Republic I realized it was different than anywhere I had coached, starting with culture and language. In addition, the age range in the Dominican Republic is 16 - 17 and the paths of each player that took them to this point were unique in every way. So, I started from the beginning with my “serviceable Spanish” and started getting to know players and watching a lot. I coached very little. The Latin player is always so appreciative to coaches that make the effort to speak their language but also get to know them personally. When you need to get in there and coach them they receive it so well.

How is this different from coaching here in the States? It’s not! It is coaching 101. Get to know your players personally, watch them a lot, and then if they need coaching they will receive it.

So, what did I learn in this experience? I learned two HUGE lessons. First, your soundtrack is even more important if your language skills are limited. They realize you are trying to help them and care for them even if your Spanish is bad because your tone and body language speak volumes in the absence of words. The volume of your songs is especially big here also because they are so young and inexperienced you could be in danger of losing a player quickly if it is too loud too quickly. When they cannot understand the words always remember that they can FEEL you!

The second HUGE takeaway came to me a couple years ago when speaking with the legendary coach, teacher and author Frans Bosch. He said to me “players’ bodies really have no interest in your words.” I realized I may be a better coach in the Dominican Republic because my words are always distilled down to extreme simplicity and low numbers. I usually quickly transition to show and do, or watch (video) show and do. This is also coaching 101! Talk less and show and do more!

Before I knew anything about the science of skill acquisition I learned about what is needed for some real skill acquisition. Bernie Holiday, the Pirates Director of Mental Conditioning, said to our group a couple of years back another nugget on coaching and the use of words. He said our first language is not English, Spanish or whatever language we speak. Our first language is pictures, and it will always be our first language because we think in images. To Bernie’s point, if I said the word HORSE to you, your thoughts do not think of the word HORSE but an image of a HORSE. In teaching, master your Soundtracks, limit your words, and default to watch, show, and do more often!

To be an effective coach, having command of your soundtrack is critical. Further, having command of many songs of your soundtrack will allow you to reach more players. When I say command, I am talking about having your self-awareness get to a point where you can adjust the song and volume of that song in order to connect and reach who is in front of you.

As a coach, there are two huge questions we must continually ask:
Which song does the individual need?
What song does the collective group need?

Transitioning from song to song and adjusting your volume along the way is what good coaching looks like. It is seamless and constant.


Turgeon is the Coordinator of Instruction for the Pittsburgh Pirates. Turgeon played in the New York Yankees farm system from 1987-1990 under Stump Merrill and Buck Showalter after being drafted out of Davidson College. Before playing for the Baltimore Orioles’ AAA affiliate in 1998 he spent eight years playing abroad. From 2000-2001 Turgeon began coaching in the Cleveland Indians organization before entering the college ranks where he coached with Boston College, the University of Connecticut, Duke University and Virginia Tech. Turgeon was also the Bench Coach for the 2019 USA Baseball Collegiate National Team. 


 Soundtracks, Part II
(6/22/2020)
 
   

Soundtracks, Part II


Coaching Absolutes
By Dave Turgeon


A couple of years back, I used to do a segment with staff called “Soundtracks.” Before diving into it I would always talk about what a soundtrack is. Most of us have heard of them and been impacted by them when watching a movie. Some of us (myself included) have been moved to purchase the soundtrack of a movie. Soundtracks, the music of a movie, evoke and stir emotions and amplify a scene in some way. For example, most of us remember the opening scene from “Jaws” where the young woman goes for a swim and some music begins to play that makes us all feel the impending doom to come. And it did. Another example of a soundtrack that brings about some emotions is from the classic movie called “Rocky.” The scene starts with Rocky doing his road work (running) and ends with him running up the stairs to a song called “Gonna Fly Now.” It absolutely is an inspiring scene that was brought to life from that iconic song.

Just as movies have soundtracks, we also have our own personal soundtrack. When someone walks in a room you can usually feel where they are at by their energy, body language and facial expression. Whether we realize this or not, our soundtrack is playing when we enter a room or walk down the street or engage with others. This is about self-awareness and the impact our soundtracks have on players and our personal lives.

Alex Mehrabian

Alex Mehrabian did an interesting study on communication and he broke it down into three areas: body language, tone of voice, and words. His findings were staggering to me. He found the breakdown of our communication as 55 percent body language, 38 percent tone of voice, and 7 percent spoken words. It shows that it is not enough just to have something to say if you do not have the ability to deliver the message in a way to be received. In other words, if we are a coach or teacher and do not have an effective delivery system then we do not have the ability to help our athletes or students. Your soundtrack is big! Mehrabian was keen on the soundtrack! There have been other studies on communication and while the numbers show some disparities, they were all heavy on the body language and tone and light on words.

The soundtrack package of communication of our words, body language and tone leave out one component that is not to be ignored: Timing. Timing is the ingredient that allows us to leverage our delivery system. Timing, some might argue, is everything.

Lummer

Mike Lum is a senior advisor with the Pirates and has been in professional baseball as a Major League Player or Coach for some 50 years. He played on the Big Red Machine of the 70’s and once pinch hit for Hank Aaron. He has been a mentor to me for the past 10 years. His specialty is the hitting area and he continues to evolve with the technology and the generation he teaches. His mastery of teaching hitting is two things: first, he has a deep knowledge of hitting and understanding how to teach each player as an individual. Second, he has the deepest soundtrack with the ability to command it of anyone I have observed in coaching. I have watched him teach every level of player, players from different cultures, players who did not speak English, and players of all ages. That is a lot of different soundtracks to master. He has the universal soundtrack. His songs are appealing, and they disarm the players he coaches. He uses very few words but when he does, they are timely and have affect. The business of coaching becomes more watch, more show, more do, and then great timing of words. It becomes more experience and feel when his players are learning. Master coaches have mastered their own soundtrack which allows them to master their craft. He has the most effective packaging system for a teacher I have witnessed in my career. The Master DJ is Mike Lum!

To be an effective coach, having command of our soundtrack is critical. Further, having command of many songs of your soundtrack will allow you to reach more players. When I say command, I am talking about having your self-awareness get to a point where you can adjust the song and volume of that song in order to connect and reach who is in front of you.

As a coach, there are two huge questions we must continually ask:
Which song does the individual need?
What song does the collective group need?

Transitioning from song to song and adjusting your volume along the way is what good coaching looks like. It is seamless and constant.


Turgeon is the AA Manager for the Pittsburgh Pirates. Turgeon played in the New York Yankees farm system from 1987-1990 under Stump Merrill and Buck Showalter after being drafted out of Davidson College. Before playing for the Baltimore Orioles’ AAA affiliate in 1998 he spent eight years playing abroad. From 2000-2001 Turgeon began coaching in the Cleveland Indians organization before entering the college ranks where he coached with Boston College, the University of Connecticut, Duke University and Virginia Tech. Turgeon was also the Bench Coach for the 2019 USA Baseball Collegiate National Team. 


 Soundtracks, Part I
(3/31/2020)
 
   

Soundtracks, Part I


Coaching Absolutes
By Dave Turgeon


A couple of years back, I used to do a segment with staff called “Soundtracks.” Before diving into it I would always talk about what a soundtrack is. Most of us have heard of them and been impacted by them when watching a movie. Some of us (myself included) have been moved to purchase the soundtrack of a movie. Soundtracks, the music of a movie, evoke and stir emotions and amplify a scene in some way. For example, most of us remember the opening scene from “Jaws” where the young woman goes for a swim and some music begins to play that makes us all feel the impending doom to come. And it did. Another example of a soundtrack that brings about some emotions is from the classic movie called “Rocky.” The scene starts with Rocky doing his road work (running) and ends with him running up the stairs to a song called “Gonna Fly Now.” It absolutely is an inspiring scene that was brought to life from that iconic song.

There are endless examples of how you can later hear that song and it brings you back to that scene and stirs your emotions again. To show how this works I would take a movie clip and show it to my staff and include the music as it was shown in the theatres. The room would always make comments about the scenes and how it made them feel because they remembered them so well. I would then take the same scene but change the music that was being played. The “Jaws” scene and that dramatic background music was replaced with the song “Don’t Worry Be Happy” by Bobby McFerrin. It changed things. You just do not feel like a shark attack is coming when that tune is playing. You actually relax and smile. The Rocky scene and its inspiring track was replaced by “The Lazy Song” by Bruno Mars. It also changed things. Rocky looked like he wasn’t quite as fast and you definitely were not inspired. Soundtracks play a huge role in evoking emotions and impacting our thoughts.

Just as movies have soundtracks, we also have our own personal soundtrack. When someone walks in a room you can usually feel where they are at by their energy, body language and facial expression. Whether we realize this or not, our soundtrack is playing when we enter a room or walk down the street or engage with others. This is about self-awareness and the impact our soundtracks have on players and our personal lives.

The Soundtrack Game 

After rolling through the clips and having the coaches draw the connection to themselves, we would write everyone’s name on a piece of paper and put it in a hat where everyone picked a name to which they were assigned. The assignment was to then write down a song or songs that represented that coach’s soundtrack. I did not limit the number of songs because some folks are more complex than others. Obviously, this was fun, and the coaches got into it. Occasionally though, there was someone who was surprised by the song or songs picked for them. It generated some real uncomfortable conversations at times, but at the same time very productive one-on-one sidebars where we got feedback on our soundtrack.

After this self-awareness exercise we connected it to our coaching and leading. To be an effective coach, having command of our soundtrack is critical. Further, having command of many songs of your soundtrack will allow you to reach more players. When I say command, I am talking about having your self-awareness get to a point where you can adjust the song and volume of that song in order to connect and reach who is in front of you.

As a coach, there are two huge questions we must continually ask:
Which song does the individual need?
What song does the collective group need?

Transitioning from song to song and adjusting your volume along the way is what good coaching looks like. It is seamless and constant.


Turgeon is the AA Manager for the Pittsburgh Pirates. Turgeon played in the New York Yankees farm system from 1987-1990 under Stump Merrill and Buck Showalter after being drafted out of Davidson College. Before playing for the Baltimore Orioles’ AAA affiliate in 1998 he spent eight years playing abroad. From 2000-2001 Turgeon began coaching in the Cleveland Indians organization before entering the college ranks where he coached with Boston College, the University of Connecticut, Duke University and Virginia Tech. Turgeon was also the Bench Coach for the 2019 USA Baseball Collegiate National Team. 


 Training and Transfer (Part III)
(7/30/2019)
 
   

Training and Transfer (Part III) 


Coaching Absolutes
By Dave Turgeon


In Training and Transfer Part II, we discussed on how to add layers to the simple applications to take your on-field training to another level by allowing players to engage in deeper learning and more ownership skills. In the final part, we will discuss the final and critical aspects on how to educate our players.

RANDOM VS. BLOCK TRAINING

There was a study done in 1994 by Hall, Dominguez, and Cavazos entitled “Contextual Interference Effects With Skilled Baseball Players” that shows the benefits of Random vs Block training but before we get into it lets clarify what this is. A great example of Block Training is traditional batting practice. You get a set number of same speed and soft pitches out over the middle of the plate. You know what pitch is coming and to a high degree what speed and location as well. If you know what is coming and where it is coming to, the pitch recognition and decision-making involved in true hitting (like in a game) has been eliminated. Basically, the player is on autopilot and it is swing practice as opposed to hitting practice. Another example of Block Training could be traditional ground ball work. The old “5 right at them, 5 to their left and 5 to their right” routine tells the defender where the ball is going and that it is definitely coming to them. The part of having to read a ball off a bat that may or may not come to them and not having knowledge of where or how hard has been removed. The equation of what is the speed of the ball, the speed of the runner, and “where will I go with this ball” has been removed. Essentially it is skill practice of fielding and throwing a ball only. Now, how could we turn each one of these into a random training session? The batting practice can become random by simply mixing in off-speed pitches and changing locations of those pitches as well as throwing balls out of the strike zone on purpose. By this one change, the batter now has to read and recognize the type of pitch and make a decision on whether to swing or not. The one adjustment got the hitter one foot out of the zoo and one foot into the jungle. To turn the defensive segment from block to random, we now hit the ground balls to any infielder at any time, so the fielder has to be engaged even though the ball may or may not come to him. Add to this a stopwatch of runner’s speed now every groundball (balls are hit anywhere and everywhere) has a speed of ball and speed of runner component to it. Decision making and problem-solving as opposed to mindless skill work have now been achieved. We have gone from zoo to jungle with one simple adjustment. The greatest example I have heard on this was laid out by colleague and friend Andy Bass. In a PowerPoint presentation on “Action Reconstruction” (motor learning term), he asked all of us to solve the math equation he flashed on the board. The math problem was 21 divided by 3, to which we all answered 7. He then flashes the same problem 6 more times to which the answers were quick and easy as expected. He then goes to another block of math problems only this time, every problem is different. The problems were easy but each different. Examples like 12 divided by 2, 18 divided by 9, 12 divided by 3, etc. It was blatantly obvious that the speed at which the problems were solved was quick but markedly slower than the first block. The second block of problems forced us to recognize each problem before solving it in a completely random fashion.  Just like the game! Baseball is constant problem solving done with athletic movements, so we need to practice this all the time. The math exercise is actually much easier than the game because we have more parts to the equations in the game and the added pressure of competition, crowds, weather, and many other moving parts that impact the execution of any and all plays. Our training methods will determine whether or not we are developing good problem solvers or not. Now to put some meat on the bone here let’s break down this study I mentioned earlier. 

The study involves 3 groups of hitters. The first group only does block training in the context of the team practice. The second group does block training the same as the first group but is given extra hitting beyond what the first group did. The third group is trained in a random fashion and is given additional training like group 2 but their additional training is random as well. The study showed as follows: Group 1 improved 6.2 percent, Group 2 improved 24.8 percent, and Group 3 improved 56.7 percent. Now given the small sample size and add in the human element these numbers could be skewed in measuring the actual transfer into games. It still jumps out at me so dramatically that it cannot be ignored. It shows there is value in block practice and that you will improve but more importantly it shows we are lowering the bar of transfer if we train only this way. Get out of the zoo and get in the jungle!

OBSERVATIONAL LEARNING 

“Observational Learning” is another way we learn and create the transfer. A great example of this would be how a baby learns how to walk. We do not coach our kids up and comment on their gate or foot strike, we simply encourage them to get back up. The child is building strength and at the same time figuring out how to walk. Classic watch and do learning. I think back at how I learned things in the game I probably “watched” more than I “did.” I had 6 older siblings that I watched and learned from on a daily basis. I watched baseball on television. I was a bat boy on multiple teams. Thousands of visual reps allowed me to learn and eventually transfer my skills to the game. Colleague Andy Bass broke down this concept to me in an interesting study done by Gaby Wulf. They had one group shoot 30 free throws and another group shoot 15 and observe another 15. The observation group practiced half as many shots. When they brought the groups back for retention and transfer testing the observation group was as good as the first group in retention but even better during the transfer test! The study suggests that having athletes observe while also practicing will deepen learning and processing. Now, discussing this with Andy made my creative juices flow. Obviously, this happens organically in batting practice and defensive practice as the off infielders or hitters are watching others perform the tasks. And educating our players will make them more intentional in watching the off reps. I thought we could be more intentional with this, so we came up with bunting and hitting montages with lots of different bunters and hitters for off hitters to watch on a computer between rounds. I found the most difference with the bunters in terms of speed of learning and will continue to push this concept of learning and transfer. Besides all of these benefits, it is also creating reps that will not wear the body down. In a professional season, the reps mount and the energy wanes over a long season. This is a great way to create and deepen skills and create transfer while saving energy.  
 

TRANSFER WRAP UP

How we create and develop skills into our players will largely impact how they are able to let them out in a game setting. Step one for us as coaches is that we will need to surrender some of our thinking to move our training forward. Remember, even after Christopher Columbus discovered the world was not flat and for many years after there were those who went to their grave believing it was flat still. Baseball teachers let’s adopt the mantra “truth over tradition!” There is a ton of low hanging fruit out there that will force players to Respect The Rep such as demanding it and letting players know the goal and expectation of whatever work you will be doing at that time. The next big one would be creating a challenging work environment that in and of itself requires a player to have focus and intent on every rep which will, in turn, create the transfer. Add the layer of competition and scoring will create the focus we are also looking for. This leads us to a huge one of Training to the Truth. This simply means we are training and making decisions at least to the speed of the game with whatever we are doing. Traditional baseball training is famous for crawling and walking in the workday and then wondering why we cannot run well at game time. Which leads us to Training Beyond the Truth. Shrinking down workspaces to create an even faster decision-making process is a great way of speeding up the game in order to slow the game down for them come game time. Although this make gets messy at times, we have to understand how messy learning can look and be ok with this. If the work is clean, they “have it” and need more challenge and different looks! A couple of new techniques that are big on developing a deeper learning and more transfer is having the players teach different parts of the game. I have heard so many times you never really get to know something until you have taught it and this is true. They are so much more engaged in the work it is amazing! The terms of Random vs Block Training are the latest buzzwords out there in our training and without getting bogged down with scientific definitions just think in terms of zoo vs jungle. You really get more of what you train. Observational learning may be the lowest hanging fruit in this whole discussion. Let’s not forget this is how we learn best. That said I find it critical that we educate our players on why we are training the way we are and that it works. The big hurdle you will face is fewer success rates and more messiness in the workday and players not “feeling” good all the time. The simple question I pose to players is this. Would you rather “feel good” in practice every day or “perform” come game time? The answer will be performed of course and then we must continue to educate them on how we learn, what it looks like, and how we are going to train to get them to perform. This education and the selling of the training is all pivotal on one thing. Does the player trust you? We have hit this element before in that the foundation of all coaching comes back to our ability to connect and develop our relationships with our players. 

SOME DIFFERENT IDEAS ON TRAINING THAT CREATE TRANSFER

• Drop ball ground ball work. Groundballs that are hit off a flip from another coach and randomly done. The defender can get rhythm and timing off of the flipper. Add a stopwatch to this you are now training reps where the ball is not hit to them. The 12-15 seconds between reps now comes into play as it does in the game. This becomes a drill in being present for every pitch. 

• Training in 10-minute blocks is something that I have played with more and more. The ebb and flow of offense and defense are like this and I have mimicked this in the training with good success come game time. This is jungle training while training to the truth of the game.

•More low hanging fruit in creating a work environment: Remove the turtle for batting practice. Do we hit with one in the game? Hitting with a helmet on at all times. Practicing in pants/uniform.  Think of how differently you feel wearing shorts and a t-shirt vs wearing a tuxedo to a function? Wearing pants also allows us to include the fundamental art of sliding into our jungle work. What we wear impacts the mind and the environment. Using music to create a more chaotic environment and make them more reliant on their eyes and reading situations rather than verbal communication. It also puts our brain in a better state to learn as well as create energy.
•Baserunning work is done with a complete defensive shell. The machine at home and runners at different bases are given the number of outs and the inning. The machine fires balls into random parts of the field either on a line or high in the air. The defense is forced to be in spots and make reads and the baserunners are making reads based off of information and real jungle environment. Plays are competed, and slides are in play. With all the decisions and reads that are going on this would qualify as a Fundamedley in the Jungle! The possibilities you can add to this are limitless.

•Pitching PFP should be done randomly and with a stopwatch. Instead of doing things in order like cover plays, comebackers, and fielding bunts do all of them out of order and with a different situation called out. You now have reading and decision making as part of the training. Better yet you could have some element of this while performing a bullpen session with counts and a coach in the box with a fungo. Sometimes balls being put in play and a pitcher being forced to run to cover a base or field a bunt and then return to pitch just as they do in a game. The heart rate going up just as it does in the game simulating stress to the work.
Put them in the jungle as much as you can to create a ROBUST learning environment and then, in the end, help them make sense of it. This involves question asking and feedback and allowing them to search for and give answers.

Turgeon is a contributor to the USA Baseball Sport Development Blog, and is the Coordinator of Instruction for the Pittsburgh Pirates. Turgeon played in the New York Yankees farm system from 1987-1990 under Stump Merrill and Buck Showalter after being drafted out of Davidson College. Before playing for the Baltimore Orioles’ AAA affiliate in 1998 he spent eight years playing abroad. From 2000-2001 Turgeon began coaching in the Cleveland Indians organization before entering the college ranks where he coached with Boston College, the University of Connecticut, Duke University and Virginia Tech.